Dainty work: Tsumami-zaiku Kanzashi June 5, 2016 – Posted in: Accessories, Crafts – Tags: culture, floral, Hair Clip, hairpin, history, Japanese Traditional Art, Kanzashi, Tsumami-zaiku
In my first blog post, I made a brief introduction on the art of knot-making in Japan. Of course, like many other people, my love of Japanese craft doesn’t stop there. Today I am going to write about another type of Japanese traditional craft which I spent most of my time on making. This will be another one of my longer articles, but I promise this will be interesting.
The Name itself
In the West, the craft is often called “kanzashi flower”. However, the word kanzashi (“簪” in Japanese) itself means “hairpin”. Like in any other culture, hair accessories can be made from various materials, by various methods. They can also come in different shapes and sizes. Kanzashi is no different: There is hirauchi kanzashi (平打簪) which is a totally flat metal hairpin; there is also tama kanzashi (玉簪) which features a medium-size bead on the hairpin.
Hirauchi Kanzashi (平打簪)
Tama Kanzashi (玉簪, Photo taken by Kanawa Kuniko; 金輪久仁子の写真)
The Actual Craft
The actual craft that “Kanzas flower” refers to in the Western world is “Tsumami kanzashi” and the skill is called “Tsumami-zaiku” (つまみ細工), literally meaning “pinching handiwork”. For a slightly irrelevant sidetrack: “Zaiku” can also be literally translated as “small work”; there is also “Daiku”, literally translated as “big work”, which refers to carpentry and some other construction works.
A tiny bit of history (Simplified)
Although the beautiful Geisha and Maiko might have given us an impression that Japan has the most elaborate hair ornaments of all times, women didn’t go crazy on kanzashi before the mid-Edo period (1700s-ish) when Japan was under the rule of the Tokugawa clan. It was only when women’s hairstyle became increasingly complicated at that point that more and more kanzashi could be attached.
There were claims that the use of kanzashi could be traced back to the Jyomon period (14000-a few centuries BC). These sticks were believed to have the power of keeping devils away, there they were used to bind hair into a bun. However, some said that artefacts retrieved by archaeologists has extra teeth so they looked more like a comb than a kanzashi. In my opinion, anyone can use a stick to keep their hair together, whether the stick can be classified as a kanzashi is another story. But anyway…
On the other hand, some said that kanzashi was introduced to Japan from Tang dynasty (China) in the Nara period (710-794). However, after the Nara period, women seemed to prefer the natural beauty of hair so letting their hair down became the new trend and kazashi became less popular. Not until the end of the Sengoku period (1590) did hair buns regain popularity and the use of kazashi became trendy again. After the mid-Edo period, kanzashi were available in a wide range of styles and materials. But in the wake of the Meiji Restoration, western hair style become the latest trend and the kanzashi culture faded again.
The work of tsumami-zaiku
Tsumami-zaiku is the work of creating an object, often flowers, by assembling folded and glued square pieces of fabric called “tsumami” onto a base. There is no sewing work involved – tsumamis are attached to the base with glue. There are a few different ways to fold and glue a piece of fabric, resulting in different shapes of tsumami. (Since this article is getting a bit long, these will be covered in another article at a later date.)
The fabric squares are generally sized between 3×3 cm² and 1.5×1.5 cm², but there isn’t a limit to the size of the fabric. In fact, if you search “つまみ細工かんざし モダン” (tsumami-zaiku kanzaishi modern) on google image, you can find some work which were created with very big tsumamis. Apart from fabric, pearls, gems and jingle bells are often used for decorations as well.
My earlier works
I have been creating tsumami-zaiku accessories for a while now and I would say I’ve just started to get the hang of it. I won’t say it is a very difficult craft comparing to other things that I have try, but tsumami-zaiku requires the most patience and precision. Cutting 40 odd rather small pieces of fabric to the exact size for one kanzashi alone was very trying for me at the beginning. Anyway, here are some of my earlier works.
Product page: Double layered blue tsumami-kanzashi hair clip
These are my earliest work so of course I don’t feel confident with them. But I got to start somewhere and these are the results. You can also see a variation of this here.
Product page: Double layered blue tsumami-zaiku kanzashi and Single layered blue tsumami-zaiku kanzashi
Theses are my slightly later experimental work. I have tried using different shapes, sizes, and numbers of tsumamis to create the flowers, as well as different pearl decorations. I have also tries putting them on bobby pins and you could see them here.
Another experimental work using different tsumamis on the same flower. This design seems to be quite popular.
Product page: Tsumami-zaiku kazashi with a spiral pattern
This kazashi was created on a dome base rather than a flat base. It was more difficult to make, but this is my favourite way of making tsumami kanzashi. A variation of this could be found here.
These are all I’ve got for you today. Thank you for reading this very long post and I hope you enjoyed it. Next time I will go into the details of making the tsumamis and show you my more recent (and hopefully more skilful) creations. For now, please let me know how you think of my work in the comment section below. Take care and see you next time!